Sound recording and editing for video performance Mist (2009) & video performance/installation
Attempt to retrieve the past (2009) by Eeva-Mari Haikala.
MiE; 16th-19th November 2006, The Space, London.
Board member of the UK & Ireland Soundscape Community (autumn 2006).
Fluxus Concert; 17th March 2006, Goldsmiths, University of London. Member of the Fluxus Symphony Orchestra performing ‘The Trial of Steve Reich’. Performance with John Lely of 'Piano Piece #13 (Carpenter's Piece)' by George Maciunas (1931-1978). Short excerpt of 'Piano Piece #13' (with thanks to Rob Ainsley).
Sound Practice concert, 11th February 2006, Goldsmiths College, London; member of the ensemble performing John Lely’s Harmonica High.
‘The Museum of Fruit Wrapping’ exhibited at Rational Fête (@ Rational Rec); Bethnal Green Working Men’s Club, London (February 2006).
Frankfurter Ahnung (News of the Esemplasm); Sonic Arts Network CD – curated by Ben Watson (December 2005). Sound recording, editing, mastering, and ‘Instant Events #1’ by Sebastian Lexer (live computer processing, piano, percussion) & Ian Stonehouse (electric guitar) included on the CD, alongside tracks by Lol Coxhill, Derek Bailey, Sean Bonney, The Prime Time Sublime Community Orchestra, Lendormin, Evil Dick & The Banned Members, T.H.F. Drenching, Marie-Angélique Bueler, Kenny Process Team, and many others.
En-Sof – John Lely & Ian Stonehouse (October 2005); for solo performer with tenor recorder, single-ported subwoofer and 3 sine wave oscillators.
Alvin Lucier: Open Sound Systems; 16th September 2005, Tate Modern Gallery, London; member of the Open Sound Systems Ensemble, performing John Lely’s White Noise Machine.
Contemporary Music Ensemble, 4th February 2005, Goldsmiths College, London; member of the ensemble performing John Lely’s White Noise Machine.
Late Lunch with Out To Lunch, 8th September 2004, Resonance FM. Virtual accompanist (computer sound collage) for an improvisation by Mick Beck (bassoon) and Ben Watson (poetry).
Soundscape: the Journal of Acoustic Ecology; Vol.5 No.1, Spring/Summer 2004. Review of two CDs compiled/recorded by Peter Cusack – Your Favourite London Sounds (LMC; RESFLS1CD, 2001) and The Horse Was Alive The Cow Was Dead (LMC; RESWOSM1CD, 2001).
Interlace – 26th June 2004; Goldsmiths College, London. Improvisation: Ian Stonehouse (MIDI/electric guitar), Graham Wakefield (laptop).
Late Lunch with Out To Lunch: 3rd March 2004; Resonance FM. (Ian Stonehouse & Le Tombeau de Esemplasm –“latest version of Ian Stonehouse’s extraordinary work-in-progress, with appearances by the legendary Gamma, poet John Rety, pianist Tania Chen, Karl Marx on poodles and riverine Thames recordings from beneath London Bridge 2004”).
Earshot #4: Journal of the UK & Ireland Soundscape Community (December 2003). Recording of ‘Columbia Road Flower Market’ included on accompanying CD, Architectural Soundmarks.
Interlace – 5th March 2003; Goldsmiths College, London. Improvisation: Ian Stonehouse (laptop), Tania Chen (piano/toys).
Esemplastic Tuesdays #19 , Royal College of Art, London; 8th February 2003 - Ian Stonehouse (laptop: Le Tombeau d'Esemplasm).
Le Tombeau de Esemplasm. Privately released CD , subsequently withdrawn, re-edited, re-released, withdrawn a second time... (2002/4)
The Rough Guide To Rock. Biographies on Frank Zappa & Brian Eno (Rough Guides Limited, 1996/2003).
MERZ NITE - 25th January 2002; Victoria & Albert Museum, London. Live computer/sound collage as part of a collective improvisation with performers including Gail Brand, Maggie O’Sullivan, Jennifer Pike, Bob Cobbing, T.H.F. Drenching & Sonic Pleasure, Out To Lunch, Mark Perry (Alternative TV), Pat Thomas, Mick Beck, Lol Coxhill and Simon H. Fell. In celebration of the V&A’s collection of work by artist Kurt Schwitters.
The Cutting Edge 2001 - Electric Lives; 29th November 2001, The Warehouse, London. Performances of ‘Stark Onions & AOR (Highbury)’ and ‘Work -> Home’.
“But... But Who Was Fulcanelli?”; T’Mershi Duween #58 (May 1997).
Book cover and illustrations – The Words I Know by Cathy Stonehouse; Press Gang Publishers, Vancouver, Canada (1994).
